Picturing the Science

Climate Change: Picturing the Science

“It is simply the best available collection of essays by climate scientists on the nature of human-induced climate change, the ways scientists have come to understand and measure the risks that it poses, and the options that we face.”
Thus Jeffrey Sachs in his foreword to Climate Change: Picturing the Science edited by Gavin Schmidt and Joshua Wolfe. He has a somewhat proprietary interest in the publication in that much of it is written by scientists associated with his Columbia University’s Earth Institute, but his declaration is not overblown.

Gavin Schmidt is well known to readers of the RealClimate website, of which he was a co-founder. He is a climate scientist at NASA’s Goddard Institute for Space Studies.  Joshua Wolfe is a documentary photographer much of whose work focuses on climate change.  His is one of three splendid photo essays which punctuate the book, along with many other carefully selected illustrative photographs on almost every page.

Medical terms head the book’s three parts – symptoms, diagnosis and possible cures.  Seven climate scientists contribute chapters with one or two experts in technology and policy joining them in part three.

The symptoms section has five headings: the unequivocal warming of the globe; the changes occurring in the Arctic; changes to the chemistry, biology and level of the sea; the likelihood of extreme events; the threat to biodiversity. In all these areas troubles are already apparent or can be seen developing.

The diagnosis section has three chapters.  The first describes the drivers of climate and the part played by anthropogenic forcings.  The second explains the study of climate “one of the most complex and lively branches in all of Earth science.”  Dozens of different fields are involved. The chapter lists some of them: meteorology, oceanography, biology, chemistry, quantum physics, orbital mechanics, and ecology. It has a useful characterisation of the four overlapping groups into which climate scientists can be broadly split: those studying the physical processes in the current climate system, others looking for indications of how and why climates were different in the past, yet others documenting the impacts of change today, and some bringing all these elements together to try and say something about the future.  The third chapter discusses prognoses for that future, making a helpful distinction between forecasts, predictions and projections before examining prospects for rising temperatures, rainfall changes, rising sea levels, ocean changes, greenhouse gas feedbacks, decreasing biodiversity, human health risks, and agricultural impacts. Surprises are inevitable, and they are not likely to be benign.

These two sections of the book are straightforward explanations of where the science stands today.  They acknowledge plenty of uncertainties. Schmidt states that the book has eschewed polemics “in favour of a ‘warts and all’ exposition of what we know, what we don’t know, and what is already being seen.”  The tone is restrained, the content factual.  The complexities of the science are not compromised, but the findings are laid out in terms that any general reader can comprehend.  Although the path to understanding what is going on has its complications, and there have been major intellectual feats (and sometimes physical ones as well) along the way as the clues have been put together, the basic picture which has emerged is not hard to grasp.

Turning to possible cures in the book’s third section the various, now familiar technologies are surveyed and the political aspects of emission reduction explored.  The difficulties of adequate action and internationally agreed policy are acknowledged, but a degree of somewhat dogged hope also finds expression.

Slightly aside from the main thrust of the book, it’s worth drawing attention to a couple of the brief contributions which interleave the major chapters.  Elizabeth Kolbert (whose Field Notes from a Catastrophe was my introduction to the seriousness of climate change) has an illuminating reflection on why it has been hard for journalism to communicate the reality of global warming.  Naomi Oreskes writes thoughtfully about the scientific consensus on climate change and why it is under no challenge from contrarian claims.

We need to see climate scientists making the kind of communication to the public this book represents.  Straight from the horse’s mouth.  I don’t imagine all scientists would relish the task, but certainly those chosen for this publication write clearly and accessibly for the lay person. The reader gets not only a survey of where things stand in the areas each of the writers is engaged with but also an awareness of the scope and range of the scientific activity associated with climate change. I doubt most people are aware of the magnitude of the scientific attention the subject is now receiving.

A full picture is what the book provides, mostly through words but also through the striking images which accompany the text.  It will be a very helpful aid to readers who want to see that full picture, either because they don’t have hold of it yet or because they want to fill in gaps in their understanding.

It is a large, handsomely produced volume which will adorn any surface on which it lies while its reader works through it. Not at one sitting, I would suggest, but filling in the picture slowly chapter by chapter.

A very public own goal…

Airconcover.jpgIt didn’t take long for my last post to draw a reply from Ian Wishart, and — no surprises — it’s another lengthy diatribe. Unfortunately for Ian, it is also a very public own goal –demonstrating very nicely one of my central contentions: he doesn’t understand the stuff he’s writing about. Here’s the relevant passage (sorry about the lengthy quote, but it takes him a while to get his shot lined up):

…Gareth helpfully directs to a NASA feature on ocean cooling. There’s nothing in it that contradicts my usage of Willis in the book, but what it does say backs up one of my other assertions that Gareth had a problem with in our “anonymous” discussion thread on Tumeke previously about the impact of undersea volcanoes on ocean heat and GHG emissions.

When I pointed out scientists have recently discovered a massive volcanic field under the Arctic that began erupting in a catastrophic, albeit submarine, sense in 1999, Gareth, posting as “Response to Ian”, stated:

“If you are implying that they are influencing Arctic sea ice you are absolutely out in la-la land. The amount of heat released is miniscule compared to the heat capacity of the cold Arctic ocean.”

So if a large volcanic field under a relatively small area of ocean has no impact on warming the water, why does the NASA study on ocean cooling Gareth pointed us to say this:

“They are also exploring how volcanic eruptions influence ocean heating, and whether a better understanding of how volcanoes influence the energy balance of the ocean will help explain short term variability in ocean warming and cooling”

The NASA feature then quoted the CSIRO research team directly:

“One thing we found was that climate models that do not include volcanic forcing tend to overestimate the long term change, and their simulated decadal variability is not in agreement with the observations…this kind of result tells us volcanic forcing is important, but that we don’t totally understand it yet”.

Another example, then, of Trufflehunter shooting from the lip because he isn’t across the latest scientific research. 95% of the world’s active volcanic vents are underwater. I quoted other scientists in the book who thought volcanic and tectonic activity might well be significant in regard to sea levels and thermal expansion, but Gareth’s response was:

“One possibility that Wishart fails to consider is that tectonics and volcanoes weren’t ignored and their effects are trivial.”

Well, Gareth, go back and read the report you referred us to. Apparently other scientists don’t think they’re trivial at all.

And the ball’s in the back of his own net! It’s a mistake that only someone who had no real grasp of the subject could make, and Wishart makes it in a typically aggressive manner. The CSIRO team are (of course) talking about the cooling effects of large, Pinatubo-style volcanic eruptions (you know, the ones that occur above the surface of the sea) as a brief check of their paper would have told him…

Church et al. (2005) show that large volcanic eruptions cool [my emphasis] the global ocean and produce a drop in global sea levels. While this volcanic signal is clear in appropriately forced models and the global tide-gauge record, it is not as clear in the global thermosteric sea level record (the component of sea level change due to the thermal expansion of the ocean and closely related to ocean heat content), and there are several instances where global sea level is rising but steric sea level is falling…

Looks a lot like Ian’s indulging in “half-baked schoolboy science” to me. I believe the internet jargon for this situation is p*wned.

[Update 7/5: Wishart concedes and admits to “winging it”, but then proceeds to enlarge the deep hole he’s already dug for himself. Any readers care to explain for his benefit precisely why undersea volcanism has a trivial impact on oceanic heat budgets? The rest of his post is just wibble.]

Quirk, strangeness, not much charm

Airconcover.jpgAnother day, another angry diatribe from Air Con author Ian Wishart — longer and more intemperate that his last, but I’m getting used to the style. It seems he believes that attack is the best form of defence, which is great if you’ve got the ammunition (like the Crusaders backs of recent seasons, if not this one 🙁 ), but rather unwise if you lack basic understanding of the issue in contention. I’ll deal with the points he raises, but can’t resist first giving you a flavour of his writing:

I could go on, and on, but I don’t see why I should bear the burden of disproving your half-baked schoolboy science masquerading as genuine informed comment on climate change. I’ve illustrated here that Gareth Renowden’s credibility on climate change, based on his Air Con review, is non existent. Go for it Truffle, crawl back to your den and think carefully before launching ad-hom attacks on me again.

“Half-baked schoolboy science”? Oh the irony, the chutzpah…

Continue reading “Quirk, strangeness, not much charm”

Extreme Ice Now

Extreme Ice Now: Vanishing Glaciers and Changing Climate: A Progress Report

“Once upon a time, I was a climate-change skeptic. How could humans affect this huge planet so much?  Could activists be creating a new cause to sell?  Could scientists be trying to create research grants?  Could the computer models be wrong?  Could the media be over-hyping the science?

“Though if I was once a skeptic, I’m not one anymore. The evidence is in the ice. This knowledge of melting glaciers made me despair. But despair and defeat are not options. We must invest in our optimism and in our strength. This is the way forward.”

Not a lot of words for the first nine pages of a book.  But they are ingeniously arranged and interesting to look at.  And they point straight to the heart of James Balog’s Extreme Ice Now: Vanishing Glaciers and Changing Climate: A Progress Report. The book’s publication by National Geographic was timed to coincide with his film Extreme Ice recently showed on National Geographic channels and previewed here.

Balog is an award-winning American photographer, exhibitor in many museums and galleries and author of photography books. After gaining a master’s degree in geomorphology he turned to nature photojournalism, covering a range of subjects over the years, including endangered wildlife and trees.  Latterly his attention has focused on ice. Outdoor adventure has long been part of his life.

Extreme Ice Now contains a number of short essays written by Balog, interleaved with many wonderful photographs from the ice world.  He explains the Extreme Ice Survey, begun in 2007, a collaboration between image-makers and scientists to document the changes transforming Arctic and alpine landscapes. Time-lapse cameras in selected places, taking images once in every hour of daylight over a period of years, are part of the record, along with a portfolio of still images, and the documentary film.  Art meets science to convey the reality of global warming to a worldwide audience, to celebrate the beauty of the landscapes, and to assist scientists understand the mechanisms of glacial retreat.  “If the story the ice is telling could be heard by everyone, there would no longer be any argument about whether or not humans are causing global warming.  We are.”

His essays are mostly about his personal response to this realisation. He puzzles over what is holding us back from acting. He thinks probably a natural psychology of denial, allied with complacency, avoidance of responsibility, and fear. Add to this the “toxic effluent” poured through journalistic pipelines by vested interests to counter solid, observed, physical, empirical facts, and we have a recipe for confusion.

Balog chooses optimism though doesn’t find it easy: “…photography is something of an act of love. The sustained attention we give to our subjects draws us closer and closer as we get to know them better … I was filled with despair when I realised that the object of my fixation just might vanish before I returned in October.”  But the idea that the people of his time will be the ones responsible for destroying something as monumental as the climate of this huge planet is too sickening to accept. Despair is not an option. We must exercise the will-power and technological resolve needed to change our ways.

The interest in Balog’s reflections is not that they offer any new information, but that they express very well the thoughts that probably many of us entertain in the face of the ongoing evidence of global warming.  And they encourage us to believe that a solution can be found and to commit ourselves to working for it.  The voice from the increasing ice flows of Greenland or the retreating glaciers of the Rockies and the Andes lends determination to those of us who frequent less challenging terrains.

The book may be for the coffee table but it has serious things to say as well as striking images to delight in.

Bless the weather

bob-150x144.gif As if to demonstrate to its peers what the art of good science communication is all about, MetService has just launched a blog. Bob McDavitt (left – great pic!) has posted an excellent article about autumn colour, describing the process that creates the yellows and reds that make our countryside reliably spectacular at this time of year. Erick Brenstrum has a post about a landslide on Stewart Island in 1810, and Ross Marsden has a note on regional cloudscapes. With a team of seven bloggers and a mandate to generate regular material, it promises to be a must visit site for anyone with weather watching tendencies. I hope they can also match some the excellent blog coverage The Weather Channel provides for big US weather events.

[John Martyn, RIP]