Two wind energy items arrived in my inbox in close proximity recently. One was from the NZ Wind Energy Association (NZWEA) congratulating Meridian Energy on turning the first sod at Mill Creek wind farm in the Ohariu Valley north-west of Wellington. It’s a 60 megawatt farm of 26 turbines. The project will cost $169 million and is expected to be commissioned by mid-2014. It will increase NZ’s installed wind capacity from 623 megawatts to 683 megawatts.
NZWEA’s chief executive made appropriate remarks to accompany the announcement, reiterating the expectation that at least 20% of NZ’s electricity will be generated from wind by 2030 and noting the technology advances in harnessing wind which is now one of the lowest cost options for new generation in New Zealand.
It’s good to see the steady progress in the development of wind energy in NZ, although it seems to arouse little excitement in Government circles who reserve most of their interest for further fossil fuel development. And a report in Saturday’s NZ Herald was a sobering reminder that the $7 billion invested in the oil and gas sector over the past five years puts it far ahead of any other local sector when it comes to investment in new productive capacity. NZ is hardly on the brink of transition from fossil fuels, hardly, it seems, even interested in the possibility while there’s money to be made from exploiting them.

What makes this event significant, is the role Arctic sea ice plays as a reflector of solar energy. Ice is white and therefore reflects a large part of incoming sunlight back out to space. But where there is no ice, dark ocean water absorbs most of the sunlight and thus heats up. The less ice there is, the more the water heats up, melting more ice. This 
Geoff Simmons and Gareth Morgan, with help from John McCrystal, have produced a book which one hopes will be read by many New Zealanders.
At last it can be revealed — the project that’s been swallowing most of my writing time over the last year. The Aviator is a work of speculative fiction ((Which I have sometimes described as a science fiction adventure comedy satire, or, via